Procol Harum – A Whiter Shade Of Pale

“A Whiter Shade of Pale” – Single by Procol Harum
B-side: “Lime Street Blues”
Released: 12 May 1967
Recorded; April 1967, Studio Olympic Sound, London
Songwriters: Keith Reid, Gary Brooker, Matthew Fisher
Producer: Denny Cordell
Charted No.1 in UK, No.5 in US, No.1 in Canada, No.1 in Ireland, No.1 in France, No.1 in Belgium, No.1 in Italy, No.1 in West Germany.

Procol Harum at Gala du Midem, on 27 January 1968
Palais des Festivals, Cannes, France
LIVE on ORTF, France and transmitted by Eurovision to some countries.

“A Whiter Shade of Pale” is a song by the English rock band Procol Harum that was issued as their debut record on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks.Without much promotion, it reached number 5 on the US Billboard Hot 100.One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide.In the years since, “A Whiter Shade of Pale” has become an enduring classic, with more than 1,000 known cover versions by other artists.

This was the first song Procol Harum recorded. After it became a hit, they fired their original drummer and guitarist, replacing them with Barry Wilson and Robin Trower – more experienced musicians who could handle the subsequent touring.

“A Whiter Shade Of Pale” was the main theme of the soundtrack to 1967’s Summer Of Love: The Single when The Beatles’ Sgt Pepper was The Album. At a time when the increasingly experimental British pop music of the mid to late Sixties was on the cusp, Procol Harum’s debut single did more than any other individual song to push it over the edge into what we now know as rock.

A mournful lament with a teasing – even disturbing – lyric masquerading as a feel-good summer love song, AWSOP (as it is known by its devotees) was a conundrum from day one. Clearly inspired by other works, it clearly inspired other works. It was both classical and pop. It was soul without funk. It helped invent rock that didn’t rock. It was a worldwide hit single by ‘serious artists’ that ushered in the era of the album as the true medium for ‘serious artists’.

In 1977, the song was named joint winner (along with Queen’s “Bohemian Rhapsody”) of “The Best British Pop Single 1952–1977” at the Brit Awards. In 1998, the song was inducted into the Grammy Hall of Fame. In 2004, the performing rights group Phonographic Performance Limited recognised it as the most-played record by British broadcasting of the past 70 years[18] and Rolling Stone placed it 57th on its list of “The 500 Greatest Songs of All Time”. In 2009, it was reported as the most played song in the last 75 years in public places in the UK.

Lyrics
We skipped the light fandango
Turned cartwheels ‘cross the floor
I was feeling kinda seasick
The crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly
Turned a whiter shade of pale
She said “there is no reason”
And the truth is plain to see
But I wandered through my playing cards
Would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open
They might have just as well’ve been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly
Turned a whiter shade of pale
And so it was that later
Source: LyricFind
Songwriters: Gary Brooker / Keith Reid / Matthew Fisher