Lionel Richie – Hello
The Joke That Became A Greeting His Wife Saved From Obscurity
Released on February 13, 1984 as the third single from Can’t Slow Down, “Hello” became Lionel Richie’s third solo number one on the Billboard Hot 100, topping the chart for two weeks beginning May 12, 1984 and spending twenty weeks total on the listing. In the UK, the song demonstrated even more dominance, spending six consecutive weeks at number one from late March through early May, unseating Nena’s “99 Red Balloons” and becoming the seventh bestselling single of 1984 in Britain. What audiences swooning to that iconic opening line didn’t realize was that the entire composition began as a joke when producer James Anthony Carmichael arrived at Richie’s house for a songwriting session and Richie greeted him with Hello, is it me you’re looking for? Carmichael responded Finish that song, but Richie initially dismissed it as corny until his wife Brenda and creative assistant Rita Leigh insisted it had tremendous potential and convinced him to include it on his second album after he’d nearly left it off both Lionel Richie and Can’t Slow Down.
The single entered the Hot 100 at number forty-nine on March 3, 1984 and climbed steadily before reaching number one, where it displaced Phil Collins’ “Against All Odds (Take a Look at Me Now).” The track also spent three weeks atop the R&B chart and an extraordinary six weeks at number one on the Adult Contemporary chart. Internationally, the song dominated charts across Australia, Canada, Belgium, Ireland, the Netherlands, New Zealand, Switzerland, South Africa, and Portugal, selling over a million copies in multiple territories. Can’t Slow Down spent fifty-nine consecutive weeks inside the top ten of the Billboard 200 including the entire year of 1984, eventually selling over twenty million copies worldwide and achieving diamond certification. The album accomplished the remarkable feat of having all five singles reach the top ten on the Hot 100, with “All Night Long (All Night)” and “Hello” both hitting number one, while “Stuck on You,” “Running with the Night,” and “Penny Lover” all cracked the top ten.
The songwriting origin traces back to Richie’s shy teenage years when he’d see beautiful women walk past but couldn’t muster courage to speak to them, thinking to himself Hello, is it me you’re looking for? Years later he attempted writing a song using that phrase but suffered writer’s block and abandoned it. The greeting to Carmichael revived the idea, with Carmichael urging him to complete it. By the time I finished the verse, I fell in love with the song again, Richie recalled. The lyrics depicted quiet yearning and admiration from afar, an emotional honesty about unspoken affection that resonated universally. Carmichael initially loved the composition but later claimed he hated it after finishing his production work, while Richie’s then-wife Brenda and Rita Leigh thought “You Are” should be dropped instead. Both songs became hits, vindicating everyone’s instincts about the material’s commercial potential.
Recording sessions for Can’t Slow Down took place at Sunset Sound and Ocean Way studios in Los Angeles over six months beginning May 1983, though “Hello” had been demo’d in summer 1982. Richie explained his process to Steven Ivory, saying he’d tape ideas with just piano, then Carmichael would take that tape and say Meet me at the studio, putting rhythm and music around the piano while making it sound like a record without destroying the innocence or sensitivity of the original thought. The track featured Richie on vocals and acoustic piano handling rhythm and vocal arrangements, with Reginald Sonny Burke on Fender Rhodes, Michael Boddicker on synthesizers, Darrell Jones on electric guitar, Tim May on acoustic guitar, Louis Shelton on guitars, Joe Chemay on bass, and Paul Leim on drums. Carmichael arranged rhythm and strings, with Harry Bluestone serving as string concertmaster. The production emphasized romantic pop at its most sincere, built around graceful piano melody with lush string arrangements and gentle backing vocals that elevated intensity without overwhelming intimacy.
Can’t Slow Down was released on October 14, 1983 by Motown Records, marking Richie’s sophomore solo effort following his 1982 self-titled debut after leaving the Commodores. The album won the Grammy Award for Album of the Year at the 27th Annual Grammy Awards in February 1985, beating heavyweight contenders including Bruce Springsteen’s Born in the U.S.A., Prince and the Revolution’s Purple Rain, Tina Turner’s Private Dancer, and Cyndi Lauper’s She’s So Unusual. “Hello” received a Grammy nomination for Song of the Year, competing against Stevie Wonder’s “I Just Called to Say I Love You,” Phil Collins’ “Against All Odds,” Cyndi Lauper’s “Time After Time,” and Kenny Loggins’ “Footloose.” The song also helped cement Richie’s unprecedented achievement of having a number one record on the Billboard Hot 100 every single year for seven consecutive years from 1978 through 1984, including “Three Times a Lady” and “Still” with the Commodores, “Lady” for Kenny Rogers, “Endless Love” with Diana Ross, “Truly,” “All Night Long,” and “Hello.”
The music video directed by Bob Giraldi became one of the most memorable and controversial clips of the MTV era, voted worst music video of all time in a poll of 8,000 music fans by UK TV channel The Box decades later, though Giraldi defended it saying Hello is one of the top videos ever. The storyline featured Richie as Mr. Reynolds, a theater and acting teacher at what appears to be an arts college, pining for a blind student played by twenty-six-year-old fully sighted actress Laura Carrington. The plot follows Richie watching her from afar, unable to express his feelings, until he discovers she’s been sculpting a clay bust of his head, revealing mutual affection. When Richie protested to Giraldi during filming that the story about a blind woman had no relationship to the song’s lyrics, Giraldi replied You’re not creating the story, I am. Richie trusted Giraldi’s judgment given his success directing Michael Jackson’s “Beat It” and Richie’s own “Running with the Night.”
The clay bust itself became legendary for all the wrong reasons. Richie complained repeatedly during filming that it didn’t look like him, to which Giraldi finally responded Lionel, she’s blind, explaining that if the sculpture looked perfect, what kind of exceptional person would she be, adding it had to look a little skewed and off. Richie later admitted it worried me to death to stand next to this bust, hoping the world wouldn’t see him looking like that. The video’s logical inconsistencies, particularly how a blind student could sculpt an accurate likeness, became fodder for decades of mockery. Laura Carrington, who played the student, went on to spend five years on General Hospital before her last onscreen appearance twenty-seven years ago. Despite the ridicule, the video was a major success on MTV, helping boost sales of both the single and album while introducing Richie’s hammy but effective acting style to audiences who appreciated the melodramatic romanticism.
The song attracted numerous covers across diverse genres and generations. Zooey Deschanel’s version appeared in the 2016 animated film Trolls soundtrack, while easy listening stars including Paul Anka, Shirley Bassey, and Gloria Lynne recorded their interpretations. Luther Vandross covered it alongside Richie’s “Endless Love” on his 1994 album Songs, while actor Howard Keel baritoned it on his Just for You album. Richie himself revisited the track on his 2012 country collaboration album Tuskegee, pairing with Jennifer Nettles of Sugarland. Demi Lovato performed it as part of a Richie tribute at the 58th Annual Grammy Awards on February 15, 2016, with her version peaking at number fifteen on the Billboard Twitter Top Tracks chart. UK garage artists Jhay Palmer featuring MC Image took their cover to number sixty-nine on the UK Singles Chart.
The song inspired a plagiarism lawsuit in 1984 when songwriter Marjorie Hoffman White accused Richie of copying her 1978 composition “I’m Not Ready to Go,” though details of the case’s outcome remain unclear, suggesting a possible quiet settlement. The track also spawned countless parodies and cultural references, most famously Richie’s own appearance in a 2013 Lion Breweries of Australia television commercial for their Tap King home draft-beer dispenser, where he sang Hello, is it beer you’re looking for? while appearing inside a man’s refrigerator. The commercial demonstrated Richie’s willingness to laugh at himself and the song’s permanent place in pop culture. Richie reportedly hears that opening line constantly wherever he goes, not just on the phone but in restaurants, airports, and virtually every public space, a testament to how deeply that simple greeting embedded itself in the cultural consciousness.
Looking back, the song that Richie dismissed as corny became his signature ballad and remains his only solo UK number one single. Can’t Slow Down stands as his only number one studio album in Britain, though his Back to Front compilation reached the summit in 1992, and his Definitive Collection with the Commodores hit number one in July 2015 following his Glastonbury Festival performance. The track’s enduring appeal stems from its universal relatability, transforming everyday shyness into romantic yearning through Richie’s warm vocals and sophisticated production. That it nearly didn’t exist, saved twice from oblivion by the women in Richie’s life who recognized its potential, makes the story even more remarkable. The joke greeting to James Anthony Carmichael became a worldwide expression of longing and vulnerability, proving sometimes the corniest ideas become the most enduring when executed with sincerity, regardless of whether blind students can actually sculpt accurate likenesses or not.




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