The Doobie Brothers – What A Fool Believes

Blue-eyed soul with a mirage at its center: memory, denial, and a perfect California groove

Late 1978, the Doobie Brothers unveil a sleeker silhouette on Minute by Minute. “What a Fool Believes” is its beating heart: Michael McDonald at the piano, chasing a man who mistakes yesterday’s sparks for tomorrow’s flame. By spring 1979 it would float all the way to No. 1 on the Hot 100, the band’s most buoyant hit built on doubt and daylight.

The track moves like a well-oiled city bus—light, quick, and precise. Fender Rhodes flicker, tight guitar stabs answer the vocal, and a springy four-on-the-floor undercurrent keeps everything lifted. McDonald’s tenor—supple, slightly raspy—leans into syncopation, gliding through chord changes that feel more jazz lounge than bar band. The pocket is airy but exacting; every clap, piano acciaccatura, and rhythm-guitar chop is placed to make the chorus pop like sunshine.

Co-written with Kenny Loggins, the song is a study in self-deception: a narrator who “sees no wise man has the power to reason away” his wishful thinking. The lyric’s short, circling phrases mirror the loop he’s stuck in, while the melody uses leaps and suspensions to underline each hopeful lurch. Structure is classic radio craft—verse, pre-chorus lift, and a chorus that resolves then instantly resets—so the hook keeps arriving before the truth can.

Produced by Ted Templeman in Los Angeles, the cut captures the Doobies’ late-’70s pivot from biker-boogie to satin-soul, with McDonald’s keyboard voicings steering the harmony and layered backing vocals shimmering like heat haze. It’s West Coast studio pop at full command—tight, tactile, and deceptively difficult to play.

The impact was immediate and lasting: a No. 1 single in 1979 and, a year later, Grammy wins for both Record and Song of the Year. Onstage and online it endures as the quintessential McDonald era statement—sophistication you can dance to, and a hook that forgives the fool even as it names him.

Personnel and Credits
Michael McDonald — lead & backing vocals, piano, synthesizers
Patrick Simmons — guitar, backing vocals
Jeff “Skunk” Baxter — guitar
Tiran Porter — bass, backing vocals
John Hartman — drums, percussion
Keith Knudsen — drums, percussion, backing vocals
Bill Payne — synthesizer
Ted Templeman — producer, additional drums
Bobby LaKind — congas, backing vocals
Written by Michael McDonald and Kenny Loggins
Produced by Ted Templeman
From the album Minute by Minute (1978)